Chapter One


February 5, 2006

Detective Michael Ormewood listened to the football game on the radio as he drove down DeKalb Avenue toward Grady Homes. The closer he got to the projects, the more tension he felt, his body almost vibrating from the strain by the time he took a right into what most cops considered a war zone. As the Atlanta Housing Authority slowly devoured itself, subsidized communities like Grady were becoming a thing of the past. The in-town real estate was too valuable, the potential for kickback too high. Right up the road was the city of Decatur, with its trendy restaurants and million-dollar houses. Less than a mile in the other direction was Georgia's gold-encrusted capitol dome. Grady was like a worse-case scenario sitting between them, a living reminder that the city too busy to hate was also too busy to take care of its own.

With the game on, the streets were fairly empty. The drug dealers and pimps were taking the night off to watch that rarest of miracles occur: the Atlanta Falcons playing in the Super Bowl. This being a Sunday night, the prostitutes were still out making a living, trying to give the churchgoers something to confess next week. Some of the girls waved at Michael as he drove past, and he returned the greeting, wondering how many unmarked cars stopped here during the middle of the night, cops telling Dispatch they were taking a ten-minute break, then motioning over one of the girls to help blow off some steam.

Building nine was in the back of the development, the crumbling red brick edifice tagged by the Ratz, one of the new gangs that had moved into the Homes. Four cruisers and another unmarked car were in front of the building, lights rolling, radios squawking. Parked in the residents' spaces were a black BMW and a pimped out Lincoln Navigator, its ten-thousand-dollar razor rims glittering gold in the streetlights. Michael fought the urge to jerk the steering wheel, take some paint off the seventy-thousand-dollar SUV. It pissed him off to see the expensive cars the bangers drove. In the last month, Michael's kid had shot up about four inches, outgrowing all his jeans, but new clothes would have to wait for Michael's next paycheck. Tim looked like he was waiting for a high tide while Daddy's tax dollars went to help these thugs pay their rent.

Instead of getting out of his car, Michael waited, listening to another few seconds of the game, enjoying a moment's peace before his world turned upside down. He had been on the force for almost fifteen years now, going straight from the army to the police, realizing too late that other than the haircut, there wasn't that much difference between the two. He knew that as soon as he got out of his car it would all start up like a clock that was wound too tight. The sleepless nights, the endless leads that never panned out, the bosses breathing down his neck. The press would probably catch on to it, too. Then he'd have cameras stuck in his face every time he left the squad, people asking him why the case wasn't solved, his son seeing it on the news and asking Daddy why people were so mad at him.

Collier, a young beat cop with biceps so thick with muscle he couldn't put his arms down flat against his sides, tapped on the glass, gesturing for Michael to roll down his window. Collier had made a circling motion with his meaty hand, even though the kid had probably never been in a car with crank windows.

Michael pressed the button on the console, saying, "Yeah?" as the glass slid down.

"Who's winning?"

"Not Atlanta," Michael told him, and Collier...

 

"Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish."

 

"Excellent.... Karin Slaughter is not afraid to show the absolute worst in people, as well as the best."

 

"[Karin Slaughter] writes with a razor...Triptych elevates her to the top of my list of favorite crime writers."

 

"Volcanic heroes and villians, who act both surprisingly and logically.... Slaughter has the courage to detonate her biggest bombshells early on, keeping even the wariest readers off-balance."

 

Triptych by Karin Slaughter
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